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Eternity lies within or nowhere

by Canaan Balsam

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1.
You let another love wither and die And wonder why, You feel such revulsion Every time you are obliged to make some sacrifice You are back at Golgotha And everything seems so small, And your love so insignificant That you let it slip, And wander softly away, You hold up your passion, Against the window of history, And nothing is illuminated It remains a shadow, Something dark and vague A single thread To a modest grave, A single thread To a modest grave You are not asking For a love of the ages, Or something that rages Against the dying of that light, But something, To get you through the night But something to get you through that night There is a terrible stillness, A sudden pang of shame, As you think, with a delicate sadness Of your life, of your own things Your own pathetic little pleasures The TV crackles to a commercial A sad happiness, just shy of contentment Washes over you Today is the day, just like any other day Today is just another page, In your history of loneliness
2.
You wish you could shed your skin   Begin again   A tender blank,   Something pure, forgotten   Cool clear water,   running through your fingers       The beauty of a blank foetus   Curled up tight,  with the elasticity of potential     That perfect still symmetry of a cross   Of a cloud crossing the sun   Of harr sweeping in off the ocean   Closing the frame     The darkened lens   Of your history clicking shut,   Like a noose, snapping taut   You’ve forgotten every memory  you were ever taught  
3.
As a child you dreamt of nuclear war It did not scare you it felt like deliverance You obsessed over the range of Soviet missiles You took out your school atlas  and in pencil tried to work out the distance between Moscow and your home You long to feel this dread for Russia For something so clean, and simple, As a rain of missiles, An endless rain of missiles One catastrophe and then nothingness A purity You want the Soviet Union to devour you Within its cold grey steel and obsolescence You conclude that the problem with modern life is this Doomsday is too diffuse The cold war was mankind at its apex A balanced scale of mutually assured self destruction To you this sounds like a metaphor For a perfect kind of love
4.
5.
6.
7.
There is a deception that lies between us cold and harsh, 
 Like a dagger beneath a mattress, 
 All that would become us has departed us, 
 like the dregs of a party spilling into a rain swept night All empty shouts and hollow echoes, broken promises turning sour on the lips,
 heads drop and hearts fail, but the hunger remains, ancient as the night Another night, another drink, another girl, always the first, always the first, and never the last and never to last In the morning the baubles and charms of our affection, are just tarnished tinsel in the weak winter light, Christmas decorations left out in the rain, 
 waiting for collection with all the other trash

 Take us away, take us home, take us away from here,
 from these broken, tired, unspoken words,
 meaningless gazes and hands that lead from the bedroom to the grave I am drained,
 I have no blood left in these veins to give you,
 I am done,
 I miss you, but I am skeleton
 I am skeleton
8.
9.

about

Canaan Balsam’s work revolves around the exploration of the dead space between ambient and new age music, the liminal zone between the harshness of industrial, and the beatific serenity of devotional music. ‘Eternity lies within or nowhere’ builds on the themes of loneliness, Isolation, and vulnerability, first explored on their debut album ‘Cruise Utopia’ (Modern Obscure Music). Responding to the context where ever-expanding modes of communication seem only to blur the line between connectivity and solitude, Canaan often returns to the theme of Isolation in his work, creating a deep melancholy - exploring how it can grow and metastasize, until it becomes incommunicable, resistant to empathy; an alien host overtaking the body. Canaan’s considered, emotionally aware experimentations hold that unique power to stop our world dead in its tracks, lulling the listener through the darkness but ultimately towards the light - there is intense hope within Canaan’s work, where pieces guide us through a crushingly low emptiness, but always towards glistening introspective peaks.

“I wanted a music that spoke to solidarity, that in a quiet manner offered solace, a brief step outside of this world - not a meditation, nor a background ambient shimmer, or anything vague. That inspired to an almost religious intensity of serenity. Something with the potential to engender empathy and clarity. A music you could wear like an amulet, like a spell, like a religious medal around your neck. Music as protection.”

Canaan often uses spoken word to further bring his soundscapes to life, but these self penned passages are far from being clumsily walloped vocal tinglers, instead Canaan’s use of voice compliments and contextualizes the states explored within his pieces with hauntingly evocative precision, where carefully curated guest speakers lament a often bleak scene of dread, despair, and longing recollection.

The album culminates with the incredible ‘Requiem for a Wolf’, encapsulating the hints of light that have flickered the album, but blooming them to become 6 minutes of pure celestial minimalism, where bells swing in and out of focus, and radiant zither play looms below Canaan’s swelling ambience. 

credits

released April 5, 2024

Originally released May 19, 2023 on Where to Now? Records (WTNCD04)
wheretonow.bandcamp.com/album/eternity-lies-within-or-nowhere

Produced and mixed by Canaan Balsam.
Mastered by Rupert Clervaux.
Art design on 2024 reissue by Cosima Cobley Carr.
Original art design / CD art design by James Hines and Liam Cosford.

All tracks by Canaan Balsam except for 'I AM SKELETON' by Canaan Balsam / Saint Jude's Infirmary.

'Rat in a skull '- narration by Daniel Mutch.
'You are the architect of your own utopia' & 'A passive apocalypse': narration by Alexander Johnston.
'You fell into a screen as you had no place left to fall': narration by Cosima Cobley Carr.
'I am Skeleton': narration by Jack Vettriano, taken from the track by Saint Jude's Infirmary.

With special thanks to: Matt Hendon, James Hines, Alex Johnston, Cosima Cobley Carr, Daniel Mutch, Euan Dalgarno, Liam Cosford, Rupert Clervaux, Dreamwreck,  Ashley Brown, Ron Nichols, John Griffiths, TRSSX, Try Preying, Jordan Stanley, Complexi-Tales, Mark Francis, Emma Jane and Jack.
 
With thanks, in admiration, and memory of Graeme Thomas Rose.

Thank-you to Where to Now? records for their kindness, assistance and good grace in making this re-issue possible.

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Canaan Balsam Edinburgh, UK

Canaan Balsam is an electronic musician based in Edinburgh, Scotland.

Canaan’s work explores the dead space between ambient and new age music; the liminal zone between the harshness of industrial and the beatific serenity of devotional music. ... more

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